MAX JACOB ZANDER, TENOR
A BIT ABOUT ME...
Hailed as "perfect," the "athletically comic" and "strong-voiced" Max Zander is a tenor who has been noted for "showing off" his "dangerously...voluptuous breasts" and taking review quotes out of context.
Max spends the 2019-2020 season with Opera Idaho, where he will be seen as Guillot de Morfontaine in Manon and Parpignol in La Bohème, and where he will cover Father Grenville in Jake Heggie's Dead Man Walking. He also makes debuts with Opéra Louisiane as King Kaspar in Amahl and the Night Visitors and City Lyric Opera as the Witch in Hansel and Gretel and returns to Hub City Opera and Dance Company as the Tenor Soloist for Un\Rooted.
Max began the 2018-19 season as Pygmalion in Franz von Suppé’s The Beautiful Galatea with Bel Cantanti Opera in Maryland. He then joined OPERA Iowa’s 2019 touring productions as Tamino and Monostatos in The Magic Flute and as Dudley in John Davies’ Little Red’s Most Unusual Day and joined Des Moines Metro Opera for the summer as an Apprentice Artist, covering Cacambo in Candide and Der Narr in Wozzeck, and appearing in scenes as the Witch in Hansel and Gretel, Goro in Madama Butterfly, Prunier in La Rondine, Don Basilio in Le Nozze di Figaro, and Monostatos in Die Zauberflöte.
During the 2017-2018 season, Max joined the Center for Contemporary Opera for Scare Pair, a double bill of operas by Gordon Getty, covering the roles of Edgar Allan Poe in Usher House and Cecil in The Canterville Ghost. He then joined the
Royal Liverpool Philharmonic Orchestra under the baton of Vasily Petrenko as Bardolfo in Falstaff starring Sir Bryn Terfel and returned to Cedar Rapids Opera Theatre as Pong in Turandot. After jumping in as Basilio in Le Nozze di Figaro with 24 hours notice at Rutgers University at the end of January, Max returned to Rutgers in April 2018 as the Narrator (Erzähler) in Hub City Opera and Dance Company’s inaugural production of Carl Orff’s Der Mond. Max also made his debut with Bronx Opera in June as Gery Poiret in The Theft of a Smile, a new Rossini pastiche about the 1911 theft of the “Mona Lisa” from the Musée du Louvre.
As a Resident Artist with the Indianapolis Opera, Max appeared as a soloist with the Indianapolis Baroque Orchestra and the Butler University Orchestra and sang at numerous donor events and outreach performances throughout the state of Indiana. Max was also a Young Artist at Opera Saratoga during the 2017 season, where he was seen as Caius in Verdi’s Falstaff and covered Harry Druggist, Professor Mamie, Gent, and Bugs in Marc Blitzstein’s The Cradle Will Rock.
Other highlights have included Harry in La Fanciulla del West with Apotheosis Opera, Borsa in Rigoletto with the North Shore Music Festival, Le Remendado in Carmen with the Indianapolis Symphony Orchestra, Parpignol in La Bohème with Utah Festival Opera & Musical Theatre. He also covered Beppe in Pagliacci with Cedar Rapids Opera Theatre and was seen as Flute in Britten’s A Midsummer Night’s Dream and Monostatos in Die Zauberflöte with the Halifax Summer Opera Festival in Nova Scotia, Canada. He made his European debut in 2014 as Nemorino in L’elisir d’amore with the Montefeltro Festival in Italy.
Holding both a bachelor's degree and a master's degree in Vocal Performance from the Indiana University Jacobs School of Music, where he studied with Patricia Stiles, Max appeared in sixteen productions with IU Opera Theater including his performances as Le Remendado in Carmen, Blind in Die Fledermaus, Basilio in Le Nozze di Figaro, Bardolfo in Falstaff, Njegus in The Merry Widow, the Rabbi in The Last Savage, Fred in Oklahoma!, and as various characters in Candide. Additionally, Max was seen as Prunier in Carol Vaness’s Graduate Opera Workshop production of La Rondine and as Tolloller in the University Gilbert & Sullivan Society’s premiere production of Iolanthe.
Equally comfortable with musical theater repertoire, Max has performed such roles as Pippin in Pippin, Jack in Into the Woods, and Man (Gangster) #2 in Kiss Me, Kate. As a Festival Artist with Utah Festival Opera & Musical Theatre, Max appeared as Anselmo in Man of La Mancha and covered the roles of Sancho in Man of La Mancha and J. Pierrepont Finch in How to Succeed in Business Without Really Trying. At IU, he appeared in scenes as Robert in Company, Anthony in Sweeney Todd, and Henrik in A Little Night Music.
When he's not singing, Max enjoys playing piano, composing music, cooking, and improv comedy. He has given musical improv workshops across the United States and a has been a guest vocal masterclass clinician at Butler University.